But before they could kiss, it is time for another fight! As they fight for their lives against their doppelgangers that are strong, they're also rushing to get to the top of Tokyo Tower. It seems a great deal like a gaming challenge, does not it? Square Enix's influence continues to factor tremendously in this videogame-turned- storyline. In the only creative scene of the episode, Tohru concentrates on his short while everything else in the area actually fades to white, symbolizing that he is the guy for the task. Really, the qualities of just Tohru suit him to be the one. "Is he the variable that can bring change to the planet?" the physician asks himself. He wonders if itis a coincidence the newest success parameter occurred after the Tohru that is totally appropriate joined up. Obviously it's not! That is just another platitude: Tohru is the chosen one that will solve everything.
Gunslinger Stratos' saving grace is a large one. As the combatants these days mourn Shidune, her Kyouma is mourned by the other Shidune. Itis a glimmer of evidence the other side is at least as multifaceted as his pals and Tohru, with --relationships that are close --and similar. The culmination of the episode is a one on one fight between Tohru and Tohru, who must rely on outside variables so that you can get an edge over one another and are powerful. Coupled with a strong orchestral soundtrack, the struggle with Tohru of Tohru is easily the best portion of the episode, about precisely how similar doppelgangers may be piquing the crowd's curiosity.
Gunslinger Stratos uses every popular anime platitude so that you can get there, and needs urgently to be your new favourite anime. Along the way, it forgets that platitudes become like that through overuse, and we have seen them. It is disturbing because Gunslinger Stratos has a time travel component that may be new and promising --if just the anime made a decision to escape its manner.